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"The Who" -
"Rocks the
Bay"
...........................................................................................................................7/4/00 Sac
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....... The Who shook the foundation of
the Marysville Amphitheater on Thursday, somehow turning tragedy into triumph
in only its third show after Entwistle was found dead in his Las Vegas hotel
room. Roger Daltrey and Pete Townshend decided to soldier on and put a stop to
rumors the band's tour would be "50 percent off" with the recent
death of bass player John Entwistle. Fans were as undeterred as the band. No
one returned tickets, and, in fact, ticket sales spiked after news of
Entwistle's death. Astonishing and brilliant, the Who displayed their genius
showing that over thirty- plus years of making awesome talented
music only gets better. Playing two dozen hits from
their 38-year career, the band wowed a capacity audience at the venue and
thrashed any doubts about their ability to rock as they near their 60s. Daltrey
- tan, fit and swinging his microphone - hit notes with ease, sounding his
amazing timbre and range throughout the two-and-a-half-hour show. Guitarist
Pete Townshend started his signature windmills on guitar early on and couldn't
help smiling as the band weaves an intense instrumental opening to
"Eminence Front." Townshend, smashing a guitar, gave the audience a
dramatic display of his R&B roots throughout the show, slipping quickly in
and out of hits like "5'15," "Who Are You?" and "Can't
Explain." Backed by four other musicians including Townshend's younger
brother Simon on guitar and Welsh bass player Pino Palladino, the Who did not
try to substitute for Entwistle. Subdued and respectful, Palladino - who did
well filling in for the late Entwistle's nimble runs and lickety-split
fingering - let the two frontmen take the spotlight. An exception was the
blistering "5'15," in which Townshend vamped over Palladino's
syncopating bottom-end in an exploration far from his
usual pentatonic and blues scales. One of several extended solos, it was a
tasteful display of Townshend's M.O. to let the song be the star. The
concertgoers - which included mainly thirty forty crowd playing air guitar next
to couples in their 60s and a mother walking her 2-year-old on the grass as the
sun set over the river - were happy with the band's decision to continue the
tour. And in the end they lined up to bow to their fans who admired them over
the years with blasting fireworks over head to celebrate four of July and for
The who playing on and on.By Randy Cohen
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This is the
official Rock Publication web site © 2002
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